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Case Study: Sunborn Yacht Hotel, London

Moored at London’s Royal Victoria Dock, The Sunborn Yacht Hotel is 142-meters of floating luxury. But with 138 rooms over five floors, a bar/lounge and restaurant, and a total of eight flexible meeting spaces, it is not an easy space to manage.

Headquartered in Finland, Sunborn is a global leader in the floating hospitality sector; the company is working with a range of technology partners to retrofit its existing fleet, including TVC Technology Solutions whose Technical AV Manager, Tiago Borges, was welcomed on board to overhaul the London venue’s aging audio network.

“The boat was still using its original audio system and was only partially operating as a network,” says Tiago. “It was a digital system made up of a mixture of different technologies and manufacturers. It used a central processor with a number of linked amplifiers, while some areas would use local amplifiers to provide connectivity to local sources and some volume control.”

Network documentation was all in Finnish and the only person who understood how the system worked had retired. Not only that but replacing many of the fixtures was not an option.

“The boat’s speakers are custom finished for the boat, gold plated to match the décor,” says Tiago. “It meant that we needed to keep the speakers, so our first challenge was to work out how the distribution was done and how to run cabling for the new system. We also had to use the existing rack which was located on the bottom deck, because it’s part of the structure of the boat.”

Each of the six decks had multiple zones to address, and there are several flexible spaces, with some zones working in conjunction with neighboring space.

“All the ship’s corridors all have multiple speakers,” adds Tiago. “There is a restaurant area and three conference rooms which can combine to become much bigger spaces; they can even be combined with the restaurant.

“So any wall controls that we install in each of these spaces have an option to combine in different ways, and whatever the source they use can play out in multiple zones. There are additional speakers in the reception area, which is where all the main controllers and the paging system are located, and behind reception is a bar, which has two input zones, and whatever is playing in the bar also plays on the terrace.” Further, the system would need to be serviced, managed, and maintained by non-technical personnel.

“We wanted to go to an open-architecture system, so we went with Symetrix as a starting point,” Tiago says. “The second stage was to
ensure the system was expandable in the future, so we went with a full Dante system. Obviously, there are input points for microphones, there are wall controllers for controlling not only the local sources, but also the background music sources that they have.

“Reception has full control over the entire boat, and a paging system which needed to be connected to the Symetrix system to address fire drill and evacuation requirements. The client was very clear that they wanted a system that would be expandable for features to be installed on a later stage, like Bluetooth wall plates to stream music via a phone, and wireless connectivity for projection systems.”

At the core of the system is the Symetrix Prism 16, fully equipped with 64×64 Dante channels to provide multichannel audio networking over IP. With a standard 1U form factor, the Prism was easily accommodated into the venue’s existing racking, with a range of control options for the ship’s multiple zones. Dante connectivity provided greater scope for compatible third-party
equipment to be integrated to further future-proof the installation.

“When it comes to control, we designed a system which made it simple to see what can be selected in each area, along with four selectable background music sources connected on the rack side of the system.

“For local sources, Dante enabled us to use third-party wall plates which featured both mic and line inputs with some mixing capability between them, as well as a priority button which ducks the system sound when someone is speaking.”

The control architecture was arranged across multiple switchers; one for control, the other one for the Dante network, with the two ports of the Symetrix processor connected to both; one to the Dante network and the other to its own network to provide control via Prism’s own embedded web server for I/O levels, diagnostics, and its browser-based ARC-WEB interface. The design makes maintenance easier; if a switch fails it is better to simply replace it with a new one than having to reconfigure the switch to do multiple jobs.

“There is always a balance between device capability and price, but this open-architecture design meant we could design it specifically to the needs of the client,” adds Tiago. “It took two weeks to run the CAT-6 cable for the Dante network and for control, and we needed a fair share of inputs and outputs due to the multiple zones but it all merges to the Prism, and building it on Dante technology future proofs the whole network.”

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