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Video Review: Sharp XG-P560W By Jeff Sauer Over the last dozen-plus years, DLP has earned a solid reputation as the enabling technology behind the industry's highest-brightness projectors. After... |
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Hitachi CP-X809 The new Hitachi CP-X809 projector offers networking capability, wireless connectivity, and a hybrid filter—all of which contribute to a low cost of ownership... |
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Video Review: Mitsubishi FL7000U By Jeff Sauer When we think of 1080p, we generally think about it as the native resolution for home-theater video whether it's on a quality home-theater projector,... |
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Elite Screens StarBright Elite Screens announced its StarBright ultra-high 15-gain material in a wide range of its best-selling projector screens. Using an advanced high-contrast filter surface coating... |
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Technology Showcase: Home-theater Projectors By Jay Ankeney These are awkward times for the home-theater front-projector business. Despite the fact that prices are dropping even while projectors' features get more... |
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Video Review: Canon Realis SX80 By Jeff Sauer The new Realis SX80, introduced at InfoComm 08 this past June, is the successor to Canon's older SX60 and the SX50 before that. On the surface, there's... |
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Video Review: NEC NP3151W By Jeff Sauer The trend toward native widescreen projectors is now in full swing in the consumer home-theater market. Additionally, several high-end, high-brightness... |
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Grand Cinema HT3000 HOST Full HD Home Theater Projector The latest high-definition video projector from Italian manufacturer SIM2 combines the flexibility of modular design with the astonishing video performance of the latest-generation DLP 1080p chipset. ... |
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Technology Showcase: Large HD Projectors By Jay Ankeney Thanks to evolving technologies, we may be seeing the rise of a new category of digital-video projectors: high-brightness projectors that are capable of producing true HD-resolution images... |
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Mitsubishi XD510U By Jeff Sauer In the projector industry, we're all so familiar with RGB primary colors that it's sometimes a little jarring to think about producing additive colors any other way. Yet RGB is just one imperfect color model that ultimately cannot produce all of the colors we see in nature. That's particularly true when there's a competing goal of producing images that are bright enough to cut through the ambient... |
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