Complex Audio Worship Upgrade, Part 2
Aug 28, 2012 10:22 AM, With Bennett Liles
And you mentioned in part one, you’re not only wireless on the mics but you’ve got a wireless remote mixing situation too that you set up with the daVinci control software?
Right, we installed Linksys, a Linksys VPN wireless router, with specific IP addresses in it and that operates throughout the cathedral. It’s there for the cathedral with password detection on different levels. You can take a laptop computer, connect it to the VPN network that we created that manages the four Nexias for live recordings, for live broadcasts, for recording capability whatever view they go to on the computer and it’s done wireless actually in the cathedral during service or whatever. We also use that technology when we tune sound systems and calibrate them. We do it with our computers in the middle of this space, which is a huge advantage because we’re right in this space adjusting everything. Also when our technicians, whenever we do a sound system as in the cathedral especially, we have a technician that’s there for that whole first weekend for every service with a computer that is actually tweaking the sound system during its use right from the worship space, which is pretty amazing too. [Timestamp: 6:12]
I can imagine all of this stuff coming together and working reliably and at the same time being simple to operate. The priests have a few buttons and they just come in and push the right button for the event, right?
They just push a button; it’s intuitive. We don’t even, 90 percent of the time, have to explain it to them; it’s pretty intuitive. It’s a pretty simple button panel. It allows them to select any four presets, but it also is programmed to default to the weekday presets so they don’t even have to press a button. On the left side of that panel they have the ability to temporarily control the amplitude of any of the four wireless beltpack lavalieres or the handheld or any of the main microphones in the sanctuary and then there’s a simple reset button at the right hand bottom of the simple button panel. This simply always acts if you restart the system so it’s nothing that they can do that make any permanent changes and 99 percent of the time there’s no need to do that, everything’s been calibrated. It’s important to know that when you use a hybrid system that has source and support speakers it isn’t a necessity to adjust the volume levels so microphones don’t accommodate attendance. For example, in the third preset that’s used for the full cathedral. It can have 200 people or it can 1,750 people. You don’t have to adjust any volume that’s taken care of by the speaker design and deployment. [Timestamp: 7:29]
And you had to use a lot of speakers in there to cover it. It’s a huge amount of space for sound. How long did it take you to mount all those speakers and get them into the right place?
Well, it was a little tricky because the cathedral had to maintain integrity of a sound system while this was going on so it took quite a while; it took at least two weeks in which we had to wait for the electrician to provide us with the cable to each location and then we had to relocate the existing speakers, which happen to be in similar locations just not this design and install the new speakers not connected yet until when all of the speakers were installed, the new ones, in all of the areas. Then we made the switchover, adjusted everything, and once that was up and running we went back and disconnected, removed, and patched up where the old speakers were. So it was an ongoing process that actually took a couple of weeks to do but the actual switchover once everything was in place took a couple of days. [Timestamp: 8:25]
And when you got the priests in there and showed them how it worked and showed them the buttons to push, how did they take to learning that?
Intuitive, they came when it was all done. The archbishop, Archbishop Mansell, came in with his staff and director of the cathedral with Monsignor McCarthy, a music director, Ezequiel Menendez, Dr. Menendez, and the plant manager and some other staff in the archdiocese and we walked through the whole system and they listened to it and then made whatever adjustments—little tweaks they wanted and then from there it was to the weekend with the actual services with the people which they were very pleased with. [Timestamp: 8:58]
Lots going on, but still easy to operate. So what’s coming up for Monte Brothers now? Have you got any projects coming up that you want to tell us about or that you can tell us about? Well, we’re doing a lot of very big worship spaces and we just finished another project recently in Austin, Texas—a new church out there similar to the size of the cathedral but it’s a regular Roman Catholic church and then we have projects—one pending in Ohio, which is another cathedral which we haven’t moved on yet but it looks like we’re going to be doing it and then multiple houses of worship in around the country that we’re working on. And one other acoustic project we’re actually going to evaluate the effects of pew cushions in houses of worship. How does that affect the music versus speech versus reverberation, which will be a very, very detailed analysis in that. So there’s a lot of things going on. We’re also doing some special work NYPD that involves what they call SpectraPulse from Audio-Technica. It’s UWB—ultra wideband wireless that is encrypted obviously—it’s not even encrypted. You can’t scan it and it can’t get interference and we’ve been using that in a special project in the headquarters, which I can’t discuss, but it’s really impressive—the capability of the Audio-Technica SpectraPulse UWB wireless technology that they have. [Timestamp: 10:15]
A very big job and I’m sure you had to call on a lot of experience for it. Thanks for telling us about it. Steve Minozzi of Monte Brothers Sound Systems in Ardsley, N.Y., and the St. Joseph’s Cathedral sound upgrade in Hartford, Conn. Huge job. Thanks for being with us.
It’s great talking to you Bennett.
Thanks for being here for the SVC Podcast with Steve Minozzi of Monte Brothers Sound Systems. Show notes can be found on the website of Sound & Video Contractor Magazine at svconline.com. Be back with us next time on the SVC Podcast.
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