Audio Analysts Upgrade AV at Parkway Christian Church, Part 2
Feb 16, 2011 2:38 PM, with Bennett Liles
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The Parkway Christian Church in Surprise, Arizona called in Audio Analysts to do a complete sound and lighting installation for their new sanctuary and performing areas and a FOR-A switcher, Vaddio cameras and Christie projectors were put in. Preston Smits is here to wrap up his talk about the project. That’s coming up next on the SVC podcast.
Preston thanks for being back with me for Part Two on the Parkway Christian Church upgrade project in Surprise, Arizona and you had Christie projectors in there and a FOR-A switcher and Vaddio PTZ cameras we were talking about before. And we got on the subject of using the Vaddio cameras for IMAG. I always thought that was interesting using PTZ cameras for IMAG. Sometimes that might be a challenge—I mean even with big broadcast cameras—each with its own operator especially if you’ve got a rather animated pastor. How do the cameras connect? Are you running Cat-5?
Yes each one of them has a Cat-5 cable going to them which can also provide power to the unit itself and that’s all routed back into the video control room which is above the sanctuary and has a big glass window that looks down into it and inside of there, there is a camera control station with the Vaddio ProductionVIEW camera controller and this controller when it boots up it auto-recognizes all the cameras connected to it and it’s got your basic PTZ functionality as well as being able to set speeds and different settings within the cameras themselves. [Timestamp: 1:54]
Did you have any trouble as far as architecture and running the cable to the cameras? It says it’s Cat-5, I wouldn’t think it would be that big a deal.
No and we had the conduit in place to begin with so since this was a new facility it made it easier to route everything to where it needed to be. [Timestamp: 2:1]
Now when you have these cameras manned, I guess there are church volunteers working the PTZ cameras. Did it take a lot of practice for them to use these for IMAG or did they fall into it easily?
That’s one of the great things about Vaddio is they really have a fast learning curve on all of their products and I felt like the volunteers were able to get the hang of it pretty quick and some of them had been camera operators before in other positions they had so they already had a lot of those basics down. And because you’re able to set the speed for pan tilt and zoom it made it easier for them to find what they are comfortable with and work that joystick. They also have, as well as the glass window looking down into the sanctuary—they have a rack full of monitors so that they can see right in front of them the shot. [Timestamp: 2:57]
I figure that wouldn’t be too much trouble. You mentioned something in Part One about this and it got my attention, is this a multipurpose church in that they stream straight out to other church venues or record sermons and send those out to other campuses on a delayed basis?
Well right now it’s a…one campus although I believe they’re looking in the future to have off-site campuses. But within this one campus there is multiple facilities and worship services that go on in each of those facilities and the reason…part of the reason for this upgrade was the ability to do a Telepresence-type sermon where the pastor could speak in one facility and be recording that and simultaneously broadcasting that out to other facilities on the campus using the 360 video server which functions much like a DVR where you can be recording and only seconds behind in the playback. [Timestamp: 3:52]
Right and I guess that’s all part of the control room gear that the church staff is working up there.
And you’ve got the audio and video signal going to a lot of different places on the campus. That seems to be the way that a lot of the multi-campus video churches start out. They do different locations on the same campus and then they branch out to other campuses instead of trying to build a bigger church in one location. So what was the biggest thing to get by on this? Did you have a hurry up on it?
Oh yes, actually this was one of the more challenging projects we worked with due to specifically timeline and communication. I would say that was the hardest part. Mostly because, as I talked about with you in Part One, we came in real late in the game where they had originally had a different contractor and so it was difficult to get back on board and make sure that everybody was communicating on the same plane because with that contractors design and infrastructure already built into the system—the structure was already three-quarters of the way finished, we had to make sure that we respected old parts of the design as well as met the churches needs and manipulate parts that maybe needed to be changed and still fit the infrastructure of the old system and maintain what was at that point a very fast track timeline. [Timestamp: 5:13]
Did you have to make any changes as far as lighting for the video system upgrade?
Um yes, we did all of the lighting systems as well and I have a engineer here that works with me, Terry Taylor, and he does all the lighting for us and I worked closely with him on this project to make sure the lighting in the venues didn’t interfere with the screens but were able to give the proper output that we needed on the people and where we needed it. [Timestamp: 5:37]
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