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Houses of Worship
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Features & Columns
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Mixing Live with RML Labs’ Software Audio Console, Part 2 WIth Bennett Liles Mixing on a computer isn’t that exotic, but if you do it live, things can get more interesting. ... |
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Array, or not to array? That is the Question, Part 2 By Bob McCarthy The two avenues we will explore are pattern stretching and pattern bending. In both cases, as you will see, the traditional thinking of coverage angle will give way to visualizing coverage shape. ... |
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Mixing Live with RML Labs’ Software Audio Console, Part 1 With Bennett Liles Keith Sealy, technical director for the Goodlettsville Church of the Nazarene near Nashville, Tenn., about his use of the Software Audio Console from RML Labs to mix live sound at the church. ... |
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Loudspeaker System Design for Worship, Part 2 With Bennett Liles The Immaculate Conception Church in Traverse City, Mich., needed an unattended sound system and gear that virtually disappeared into the sanctuary. ... |
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Digital Signposts: The Interactivity Expectation By Vern Freedlander, Vice President, Production, X2O Media These days the first thing many people do when they see a digital signage display is touch the screen. ... |
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Case Study: Church of Champions The Church of Champions in Houston recently purchased four JVC GY-HM790U ProHD camcorders, along with a KM-H3000U production switcher and DT-V24G11Z 24in. studio monitor. ... |
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Video End-to-End for Worship By Jan Ozer Your client has decided to shoot their weekly services and share them via streaming and optical disk.... |
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Audio End-to-End for Worship By Bruce Borgerson Late last year, a paradigm shifted at the midsize mainline church in Oregon where I serve as volunteer technical director. ... |
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Programming Profitability By Patrick Barron Programmers in the AV industry are faced with many challenges, primarily the creation of software that works properly while making a profit from that programming.... |
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Loudspeaker System Design for Worship, Part 1 With Bennett Liles Just because it’s a small church doesn’t mean it can’t be a big job with three-second reverb time and no audio experts on staff.... |
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