Education Products

Video Review: Canon Realis SX80

By Jeff Sauer

The new Realis SX80, introduced at InfoComm 08 this past June, is the successor to Canon's older SX60 and the SX50 before that. On the surface, there's...

Audio Review: Numark Fit For Sound

By John McJunkin

Since time immemorial, sound contractors have required the ability to provide audio cues for presentations of all kinds, ranging from corporate boardrooms...

Clear-Com Eclipse Digital Matrix

Clear-Com Communication Systems introduced Version 5.0 of its Eclipse Digital Matrix high-performance intercom system to the pro AV and contractor market at InfoComm 08...

Technology Showcase: Turnkey Digital Signage

By Bennett Liles

The digital-signage arena has seen explosive growth — and now there is a solution to meet every budget, strategy, and hardware preference...

NextWindow 2150

The NextWindow 2150 optical touchscreen uses clear tempered glass for maximum image clarity and accurate touch sensitivity...

In the projector industry, we're all so familiar with RGB primary colors that it's sometimes a little jarring to think about producing additive colors any other way. Yet RGB is just one imperfect color model that ultimately cannot produce all of the colors we see in nature. That's particularly true when there's a competing goal of producing images that are bright enough to cut through the ambient...