Frank Lloyd Wright’s Taliesin West Upgrade, Part 2
Apr 23, 2013 10:48 AM, With Bennett Liles
In part one we talked a little about the old 16mm projector in there. That’s actually part of the tour isn’t it?
It is. They don’t let them go back in the projection room because the walkway to get back there is pretty narrow and the doorway is probably about 4ft. high. But you can actually go to the back of the theater and look through the windows, the projection windows, and see the room. What they’ve done is they put lighting in there. They’re highlighting the projector and the canisters of film that have been there since the 50’s. I think it’s kind of cool because you see how things were then and now and just the mere size difference between the current projector and the one that was from 1951. It just shows how far the industry has come. [Timestamp: 6:58]
Yeah and it’s a monster and it just did one thing and you can do so many different things with the system you just put in. But in some areas, we’re talking about some 70 year old wiring in there.
They’re just now celebrating their 75th anniversary, and so some of the wiring, obviously not in the Cabaret itself, is that old but there are several places out on the campus where there is a building that will have wiring that is predating knob and tube in some places. In the case of the Cabaret it was finished in 1950, but in the concrete that’s poured they would run the cabling through the concrete without conduit. So what you have is, in a lot of places, electrical wiring that was run through in some sort of a jacket, not PVC, maybe a cotton or whatever the material was they used in that period of time, that is now cast into concrete. So if you disturb it you’re likely to have a short happen because you moved the wires and there’s now no insulation on them because the paper around the copper has disappeared and the sheet that went over the overall wire is gone. So pretty much what’s there is what you get to use, and so any time that you’re looking for power they either have to bring it in from another location where it won’t be seen or you’re stuck with cabling that’s ancient. [Timestamp: 8:15]
That’s not the kind of thing that you normally run into with the power, but this whole system is going to eventually be expanded isn’t it?
That’s the goal. It’s based on their five-year plan, which they’re about a year into. It’s to reduce the energy consumption. We’ll call it Phase One. That was the solar energy plan. Now they’re into the reduction by relamping and putting controls in to facilitate lower energy use. And some of the other phases are replacing all the roof panels now with low energy, some sort of system that helps them lower the air conditioning costs and also capture radiant solar energy for the wintertime to lower heating costs. As they go through building by building, and as their fundraising comes in and they’re able to pay for this, because they are a non-profit, they will add on more and more buildings. The end result that they are looking for, though, is one system that monitors and controls the entire campus for both energy, lighting, audiovisual, security and CCTV, and gives the facility manager the ability to not have to—which is what they do now, literally, at night—is run from building to building to building to make sure everything’s turned off. [Timestamp: 9:20]
And on the lighting they’ve got several different things going out there. They’ve got twinkle lights and wall sconces and things like that?
Yeah. In the cinema itself there’s four circuits, and we’re controlling those with a Lutron RA2 system, which is great for retrofit because it’s wireless. And they have the wall sconces, which are the original design Frank Lloyd Wright wall sconces which are now very trendy. You’ll see that design style used in a lot of other places. They have the twinkle lights which his wife added after his death. He would never have approved those twinkle lights, but she liked that look. They have some down lights in there that are at the back of the cinema. The most interesting thing about the laying, aside from the sconces, is down the walkway where you go to sit. He was the first one to use low-level pathway lighting in a theater that we’re all now used to. You know, you walk into the multiplex theater and you see the little lights on the end of the row that are just bright enough to see where the row is but they don’t detract from the picture you’re watching. He had those installed back in 1951 and that is actually something that’s now been copied and is used in the cinemas we go to today. [Timestamp: 10:25]
Way ahead of its time and of course you’ve got iPad, iPhone, and Android device control from anywhere in the place.
Yeah. You don’t have to use the HR2 if somebody in the facility has their, you know, their iPad or their iPhone or iDrive, they can go ahead and log into the system and control it as well. [Timestamp: 10:39]
Well this was a great project and for sure one that you don’t run into very often. So what’s coming up next for HomeTech AV Solutions, since you don’t take on the easy stuff?
No, we’ve got a couple of interesting projects. The one that we’re in the middle of now is in Luzon, Switzerland. It’s a seven-unit lakefront building on Lake Geneva. It has the distinction of being the most expensive real estate sold in Switzerland to date per square meter. And that is with an architectural firm we partner with and they are actually pre-installing lighting control and home control systems in the units prior to being sold to the end users. Most of the projects are sold now, when we began this eight, nine, 10 months ago, none of them were sold so that was a big selling point and that’s unusual for Switzerland. Switzerland is not at the forefront of home automation. They’re very slow to embrace new technologies and new ways of doing things, so we felt honored that we were chosen to do that. The other interesting project we have coming up is in Palm Springs and it’s for a couple who’s in the music industry. They are building a very large home outside of Palm Springs, but the cool thing about it is they’re going have a full-blown performance stage there where they’re going to host current bands. They’re going to record shows there, because one of them has a cable TV channel that produces and exposes bands both old and new on a cable channel. It doubles, when the stage is not in use, there’s a curtain there and a screen that drops down in front of it and becomes a rear projection full-blown cinema. Again it’s unusual and so it intrigued us and we signed on for that project. [Timestamp: 12:11]
You guys pick the best projects. Never a dull job.
You know, it needs to be different and exciting and challenging because at some point in the time you can only do so many home theaters in a box before you get bored.
Thanks for being here, Jim and taking us behind the scenes at Taliesin West. Jim Beaumont from HomeTech AV Solutions.
We appreciate it. Bye bye.
Acceptable Use Policy blog comments powered by Disqus